Volume 8 • 2017 • Solo/Screen


Editorial

IJSD Volume 8 Editorial: Solo/Screen

Harmony Bench and Simon Ellis

2017-06-07 Volume 8 • 2017 • Solo/Screen

Articles

Movements of Media in Yvonne Rainer's Hand Movie (1966) and Richard Serra's Hand Catching Lead (1968)

Kyle Bukhari

2017-06-07 Volume 8 • 2017 • Solo/Screen

Anarchitextures: Intermedial Encounters On The Screen

Ariadne Mikou

2017-06-07 Volume 8 • 2017 • Solo/Screen

Intimate Encounters: Screendance and Surveillance

John White

2017-06-07 Volume 8 • 2017 • Solo/Screen

Going Nowhere: Screendance and the Time of Dying

Anna Macdonald

2017-06-07 Volume 8 • 2017 • Solo/Screen

Interviews

Starting with Sight: A Conversation between Rosemary Lee and Anna Heighway

Rosemary Lee and Anna Heighway

2017-06-07 Volume 8 • 2017 • Solo/Screen

An Interview with Eiko Otake

Rosemary Candelario and Eiko Otake

2017-06-07 Volume 8 • 2017 • Solo/Screen

Book, Film, and Event Reviews

Art in Motion: Current Research in Screendance edited by Franck Boulégue and Marisa C. Hayes, Cambridge Scholars Publishing

Carol Breen

2017-06-07 Volume 8 • 2017 • Solo/Screen

Dance on Camera at 45

Harmony Bench

2017-06-07 Volume 8 • 2017 • Solo/Screen

A Steady Pulse: Restaging Lucinda Childs, 1963-78, The Pew Center for Arts and Heritage, 2015, Online publication

Marie-Louise Crawley

2017-06-07 Volume 8 • 2017 • Solo/Screen

The Oxford Handbook of Screendance Studies edited by Douglas Rosenberg. 2016. New York: Oxford UP

Katja Vaghi

2017-06-07 Volume 8 • 2017 • Solo/Screen

Provocations and Viewpoints

Influences

Tracie Mitchell

2017-06-07 Volume 8 • 2017 • Solo/Screen

Visual Politics in American Dance Film: Representation and Disparity

Cara Hagan

2017-06-07 Volume 8 • 2017 • Solo/Screen

Screendance Self/portraits

Hetty Blades

2017-06-07 Volume 8 • 2017 • Solo/Screen

Full Issue

IJSD Volume 8 2017 Solo/Screen: Full Issue

Harmony Bench and Simon Ellis

2017-06-07 Volume 8 • 2017 • Solo/Screen

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