Volume 6 • 2016 • Field Perceptions
Editorial
IJSD Volume 6 Editorial: Field Perceptions
Harmony Bench and Simon Ellis
2016-05-12 Volume 6 • 2016 • Field Perceptions
Articles
Ghanaian Screendance Perspectives: The Nuance of ‘Sankofaism’ as Emerging Aesthetics and Rejection of Orthodoxy
Samuel Benagr and Terry B.K. Ofosu
2016-05-12 Volume 6 • 2016 • Field Perceptions
The Camera-Dancer: A Dyadic Approach to Improvisation
Jennifer R A Nikolai
2016-05-12 Volume 6 • 2016 • Field Perceptions
Imagined Archaeology and Enlivening the Proximate Senses in the construction of Blind Torrent – An Interdisciplinary Screendance Project
Ruth Margaret Way and Russell James Frampton
2016-05-12 Volume 6 • 2016 • Field Perceptions
New Materials: Natural Elements and the Body in Screendance
Sylvie Michelle Vitaglione
2016-05-12 Volume 6 • 2016 • Field Perceptions
A Dance Between Chaos and Complexity: Choreographing the Spasm in Music Videos
Melissa Blanco Borelli
2016-05-12 Volume 6 • 2016 • Field Perceptions
The Meaning of the Moves: Gestural Mythologies and the Generic Film
Sarah Friedland
2016-05-12 Volume 6 • 2016 • Field Perceptions
Interviews
Unexamined assumptions: A Conversation between Arabella Stanger and Simon Ellis
Arabella Stanger and Simon Ellis
2016-05-12 Volume 6 • 2016 • Field Perceptions
Screendance: Learning, Teaching, Living
Harmony Bench, Jason Bahling, Ben Estabrook, Natalie Gotter, Eric Nordstrom and Ellen Maynard
2016-05-12 Volume 6 • 2016 • Field Perceptions
Book, Film, and Event Reviews
Review: Dance Fort: A History by Bebe Miller
Hannah Kosstrin
2016-05-12 Volume 6 • 2016 • Field Perceptions
Provocations and Viewpoints
Watch films, watch dance films, watch more dance films
Katrina McPherson
2016-05-12 Volume 6 • 2016 • Field Perceptions
Full Issue
IJSD Volume 6 2016 Field Perceptions: Full Issue
Harmony Bench and Simon Ellis
2016-05-12 Volume 6 • 2016 • Field Perceptions