Notation Score as Embodied Documentary Presence: A Response to Amelia Jones's "'Presence' in Absentia"
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This article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
How to Cite:
Kosstrin, H., (2019) “Notation Score as Embodied Documentary Presence: A Response to Amelia Jones's "'Presence' in Absentia"”, The International Journal of Screendance 2. doi: https://doi.org/10.18061/ijsd.v2i0.6895
Rights: Hannah Kosstrin
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